I don’t.
Who are these maniacs who are happy shooting the same subject day-in-day-out people?

I love variety and new challenges.
In a typical week I can jump between portraits, commercial, product, interiors, lifestyle and brand storytelling.

That said, the common thread in all my work is people-first imagery — even when the subject is a product or a space.

I’m based in Sydney, Australia, and yes — I travel (very) regularly for shoots, and have the Qantas Points to prove it.

If the idea, brief or location warrants it, I’m happy to pack a bag (and a Peli-case).

• Brands and agencies

• Designers and creatives

• Corporate and professional services

• Publishers and media

• Influencers and Personalities

Some clients arrive with a tightly written brief. Others arrive with a feeling and a deadline. All are welcome.

I do both.

Many clients engage me not just to shoot, but to help shape the visual direction — from concept development and mood boards through to execution. If you already have a clear direction, great. If not, I’m comfortable helping define it.

Every project is different, so pricing is quoted per job based on scope, usage, production requirements and timelines.

Once I understand what you need and how the imagery will be used, I’ll provide a clear, transparent quote — no surprises, no hidden extras.

Yes — all final images are professionally colour-corrected and finished.

Additional retouching (skin, product cleanup, tattoo removal, complex composites, etc.) can be included.

I aim for images that feel polished but believable — not plastic.

Yes. I create short-form brand films, social content and motion assets that complement still imagery and share the same visual language.

If you’re unsure whether stills, video or both are needed — we can figure that out together.

Easy.

Send through a brief, a few reference images, or even just a rough idea via the contact page. I’ll ask the right questions, clarify the scope, and take it from there.

Yes, yes and yes — I love meeting new people and when the timing works, or the project genuinely excites me, I’m on board.

If you’re unsure, reach out anyway. The worst outcome is a good conversation.